Look at the tiny marks on the 50 - 0 + 50 scale.Ĭorner sharpness: Both lenses are very good here also, and again the advantage goes to the MP-20.Ĭhromatic aberrations: The Tominon seems to have an advantage over the Canon but it might be that the CAs are harder to see so I would say they are both have good CA control. You can also right click, or two-finger press, and select Save Image As and compare the images in an image viewer.Ĭenter sharpness: Both lenses are very good at 100% view but the Canon MP-20 has a very slight advantage. To see an images in a new browser tab, right click, or two-finger press, and select Open in a New Tab or New Window from the menu. If the image size is anything smaller you can easily change the number to 2500 manually and press enter to bring up the largest image. To check the size of the image you are looking at, look up at the URL window at the top of the browser, the address should have 2500w at the end. COMPARING IMAGES AT 100% VIEWĬlick on any image below to view a larger version in a Lightbox viewer, but this will only be the largest size image if your screen/window is large enough. The size of the image sent to your device is based on the screen size. The comparison images below are 2500 pixels across. The Tominon lens used in this test was the best out of 3 samples so lens variability can be a factor with some lenses. Since only one sample of each lens was used in this test it should give you a good idea of how a lens can perform but it doesn't mean that your own lens will perform at the same level. All of the images shown here are single files. Each image was processed in Photoshop CC ACR with identical settings with all noise reduction and lens correction turned off, all settings were zeroed out (true zero) and the same settings were used for all of the images. Separate images were selected for center and corner if needed. 3.92 micron sensor pitchįlash: Godox TT350s wireless flash x 2 with one Godox X1s 2.4G wireless flash transmitterĪ focus stack was shot with each lens at 1/3rd or 1/2 stops in 5 micron steps on a Nikon MM-11 vertical stand using a Nikon focus block. The Ringflash is set on E-TTL.Camera: Sony α6300, model # ILCE-6300, also known as: A6300 I tend to use Manual Mode on the camera, shooting at 1/160th sec f16. The amount of light on the subject is very low at the larger magnifications, so flash becomes essential. Generally it needs to be used with a flash setup, I use the Canon MR-14 ringflash. This is not a general purpose lens, more a specialist optic. The image is sharp but the depth of field extremely shallow. In essence this is like no other macro lens! Zoomed to its maximum it produces 5:1 images. In its closed state the lens produces life size images 1:1. It is not just manual focus, it has no focus ring at all! Instead you have to move in and out to find the right focus. This lens is one of the more unusual produced. (note: aperture range does not extend to 64 as stated above under "Specifications", though it should)Īll around, a highly specialized lens that does the job it's supposed to. When in focus, pictures are very sharp with nice bokeh from 2.8 to16 It also likes a tripod that can put the camera hovering just off the ground (the MP-E 65mm's packaged Tripod Mount Ring B is nice. It loses about 2-3 stops of light from 1x - 5x.ĭoesn't work well with hot-shoe mounted flash. The focal distances from the front of the lens at given magnifications, As written on lens under the zoom ring: You have to move the whole camera or change the zoom (not recommended for most situations) or move the subject. When zoomed out to 5x the lens is about twice as long as it is at 1x. This lens can't take shots of things (in focus) more than a few inches in front of it. 1:1 means the subject is the size of the sensor.ĥ:1 the subject is 1/5th the size of the sensor.
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